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Pl annin g a Preservation Project

                                              p o s t - m o d e R n   ( 19 6 0   –   19 9 0 s )


                                              Postmodern architecture emerged in the 1960s as a reaction
                                              against the perceived shortcomings of modern architecture,
                                              particularly its rigid doctrines, its uniformity, its lack of ornament,
                                              and its habit of ignoring the history and culture of the cities where it
                                              appeared.

                                              The movement was introduced by the architect and urban
                                              planner Denise Scott Brown and architectural theorist Robert
                                              Venturi in their book Learning from Las Vegas. In 1966,
                                              Venturi formalized the movement in his book, Complexity and
                                              Contradiction in Architecture. In place of the functional doctrines
                                              of modernism, Venturi proposed giving primary emphasis to the
                                              façade, incorporating historical elements, a subtle use of unusual
                                              materials and historical allusions, and the use of fragmentation
                                              and modulations to make the building interesting. They urged
                                              architects to take into consideration and to celebrate the existing
                                              architecture in a place, rather than to try to impose a visionary
                                              utopia from their own fantasies. This was in line with Scott
                                              Brown’s belief that buildings should be built for people, and that
                                              architecture should listen to them. Scott Brown and Venturi argued
                                              that ornamental and decorative elements “accommodate existing
                                              needs for variety and communication”. The book was instrumental
                                              in opening readers’ eyes to new ways of thinking about buildings,
                                              as it drew from the entire history of architecture—both high-style
                                              and vernacular, both historic and modern.























                                              801 West Main, an example of the Post-Modern style.













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